Solo Exhibition, April-May-2024 Hurricanes, pulsars and other curious curves GALERIE BENGELSTRÄTER DE - Düsseldorf DIE MASCHINE STEHT STILL nach E.M.Foster Bühne für JENS WACHHOLZ Mai 2024 / KuGa Solothurn
R A N D O M P E R C E P T I O N 11. November 2022 bis 11. Februar 2023 FABIAN & CLAUDE WALTER GALERIE Zürich NEW YEAR'S WELCOME Thursday, 12 January 2023 FABIAN & CLAUDE WALTER GALERIE / Zürich
ART SALONArt Salon Zürich Zürichs new art fair 28th September - October 2nd, 2022 mit FABIAN & CLAUDE WALTER GALERIE
DURCHSTARTEN / TAKE OFF MUSEUM ART.PLUS DE - Donaueschingen To Nov 13th MUSEUM ART.PLUS 30.Okt. 12.00 KÜNSTLERGESPRÄCH MIT CARLO BORER
TELEBASELInterview by Natasha Zekry Radio X Interview by Danielle Bürgin InterviewCarlo Borer zu Gast in KulturTALK Basel Interview mit Sarah Gärtner auf YouTube ansehen
THE LATEST EXHIBITIONS Find the latest news and exhibitions 2022 here › News ArchivAll exhibitions, fairs, new art works and highlights of the past 13 years. Exhibitions archiv till 2008 ›
White Heart Live W H I T E . H E A R T H@ Haus der Kunst St. Josef In an earlier day, they used to say: Life is not an experiment. Life is something you are given, as a gift. But for a long time now, the machine has no longer been satisfied with this. It experiments with the organism. It drives tubes into this artificially swelled monster of a heart that almost crushes you in the choir. Is it the swell-headedness of a research that wants to perfect humanity? What creature is this heart meant for? For Superman?
B R E A T HInstallation for Art Container Steffisburg seen @ Art Container Steffisburg 2012 KUNST Zürich 2012 Biennale - Skulpturen Symposium - Kulturort Weihertal 2015
HELL-C, POP & MORE Latest works Menu WORK › Transformers & LoopsThe monumentality, precision of execution, complexity of form and entanglement all transfix us: In the one figure there is a myriad of possible views, each showing a protagonist with character. Although entirely stationary – the sculpture seems to be in a persistent state of change; walking around it opens up astonishing insights and formal overlappings so that what just a step beforehand seemed to be so greatly reduced now impresses us with its density. The objects are the epitome of transformation, not because they transform themselves, but because our perception constantly changes in gazing at the objects. Dr. Gabrielle Obrist